The music of Pablo Chin, a Costa Rican composer based in Chicago and an ’06 CARTA graduate from the School of Music, engages with self-designed methods that aid in generating sophisticated polyphony, and that reveal unforeseen musical trajectories. These methods derive from the composer’s concerns with the role of calculation and intuition in his work. Recent works draw inspiration from the narratives of film and literature, phonetic structures in text, and the exploration of iconic Latin rhythms and metrical spaces.
Chin’s music has been performed in 11 countries and across the U.S. states. He has been commissioned by Ensemble Recherche, International Contemporary Ensemble, members of the Anubis Quartet, the MAVerick Ensemble, Chicago Humanities Festival, Latino Music Festival of Chicago, Claremont Concert Orchestra, and ensemble dal niente among others. His music has also been performed by artists including Ostravská Banda, Donatienne Michel-Dansac, Pierre-Stéphane Meugé, Marino Formenti, Claire Chase, Eric Lamb, Gan Lev, and Marcus Weiss.
Chin earned his doctoral degree in composition from Northwestern University, where he has been awarded the Cacavas Award, William T. Faricy Award, and William Karlins Award. There he studied with Hans Thomalla, Jay Alan Yim, and Aaron Cassidy. In master classes he has worked with Richard Barrett, Oliver Knussen, Chaya Czernowin, and Kaija Saariaho among others. His music has been commissioned for and performed in prestigious international festivals of new music, including the 45th and 46th Summer Courses for New Music in Darmstadt, Ostrava Days 2009, and Centre Acanthes 2011. Currently Chin teaches theory, aural skills and composition at Saint Xavier University, and is co-founder and artistic director of Fonema Consort. Chin was recently awarded the Dotacion Musical from Costa Rica’s ACAM, to fund the production of his first album, which was released in the spring of 2014. (Source: www.pablochin.com).
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